Wednesday 30 May 2012

Exhibition - and Demonstration

Having finished all the large pieces now, I've produced a limited edition piece based on my commissioned work. Its called 'Of Moths and Memory' and will be available for sale in the Theatre at £75, as well as directly from me so do get in touch if you'd like to order one. It's got a hand-stencilled background and is approximately 25cm square.  It's limited to ten only I'm afraid ! 
Nearly time for my trip to Richmond and installing the work. I'm running a workshop at the theatre on Friday 8th June; I'm afraid its already booked up but I will be in the theatre doing some hand cutting on Saturday 9th June so please do drop in and say hello !

Tuesday 22 May 2012

Finished !

Well the large window piece is now finished -  hooray !  It took about three weeks of cutting but its done; now I've just got the worry of installing it without it tearing....


Unfortunately I don't really have the space to hang this up and photograph it properly - and I don't want to risk it getting damaged before it even arrives at the theatre. I was extra glad that I'd finished it and rolled it all up as shortly afterwards I had a visitor ...
...who did make a bit of a mess before finding a handy skylight to escape through.


Thursday 17 May 2012

Ouch !

Eyestrain, backache, hot elbows (?!) Some of the side effects of attempting to hand cut a very large piece of paper !  I'm doing the last piece of my commission now, which is (hopefully) going to hang in a window in the bar area of the Theatre.





Its about a metre and a half wide, and intended to be 2.6metres long. That's if I get there..... I have to say I hadn't bargained for how difficult it was going to be to reach into the middle. Not to mention the fact that I've had to take up all my Mum's studio space to fit this in ... then there's the difficulty of transporting it.  Still, I wanted a challenge ! It's a piece that brings all the work together, incorporating words from the first plays, the poems at the re-opening, the names of some of the actors, the leaves from my pieces based on the woodland scenery; the different typefaces that came from the theatre posters and the moths that came to symbolise memories for me.

Monday 14 May 2012

NYOS 12 - Artist's Commissions

So many things going on for NYOS 2012 ! Why not visit some of the other artist's commissions when you plan your route ...

The programme for NYOS 12 involves several artist commissions,  highlighting contemporary artists’ responses to some of North Yorkshire’s most intriguing historic collections, buildings and outdoor spaces. Further information: www.nyos.org.uk

ETCHED IN TIME: Rebecca Gouldson
Dales Countryside Museum, Hawes From 9 June 

Artist Metalsmith Rebecca Gouldson responds to the tinsmithing workshop and the collection of hand-knitting tools at the Dales countryside museum to create two separate installations. The tinsmithing workshop will feature acid-etched sculptural forms in metal, created using the shapes of actual tinsmithing templates found in the museum collection. The hand- knitting collection will comprise a washing line of metal sock stretchers embellished with images and text relating to the stories of hand -knitters of the Dales, acid- etched into the surface.

Rebecca will be at the museum on Sat 16 June showing some of her techniques and will also be running a mono-printing workshop.


SUPERNOVA: Linda Schwab
Royal Pump Room Museum, Harrogate 9 -17 June
 
Artist Linda Schwab uses hundreds of vintage chandelier drops to create a dramatic installation with a spa theme for the circular 1842 Room.
MAGIC IS IN THE GARDEN: Sara Tunstall
Helmsley Walled Garden, Cleveland Way, Helmsley From 9 June onwards 

Animation Artist and Illustrator Sara Tunstall is creating a motion graphics sequence and a series of framed illustrations, combining reportage illustration with the textures and colours of Helmsley Walled Garden.  The garden is a magical place, an idea echoed by the people who work there and by elements of the garden itself. Sarah's work reflects this theme, exploring the heritage of the garden and the wide variety of plants and ‘beasts’ that inhabit it.

IMPRESSIONS OF HACKFALL, TALES FROM THE WOOD: Hester Cox

Hackfall Wood, Grewelthorpe From 9 Jun onwards 

A series of geo art caches that take the seeker on a journey through Hackfall Wood with each cache illustrating a story of one of the many creatures that live there and leaving the visitor with a book of impressions from their day. Printmaker Hester Cox has created a series of hidden caches that form a trail around Hackfall Wood. Each hidden container holds a rubber stamp featuring original designs of local wildlife. Combining an outdoor treasure hunt with digital media and book art, by the end of the seeker’s walk they will have created their own printed book and have an insight into the rich natural history of Hackfall.

For more information, visit www.geoartcache.com


SECRET TEA PARTY:
Morwenna Catt & Helen Turner
Two events at secret locations: Scarborough: Sat 9 June, 4pm Malhamdale, near Skipton: Sat 16 June 4pm.
Artists Helen Turner and Morwenna Catt have each been commissioned to create installations for themed tea party events in unusual venues. The perfect way to finish a day touring the Open Studios.

Ooh I'm looking forward to seeing some of these !  I will be at the Georgian Theatre with my own work on Saturday 9th June, so please do drop in for a chat !

Monday 7 May 2012

Oak leaves and the Prologue



This is the top layer that I cut, before painting. The words come from Ivor Brown's 'Prologue' which was spoken at the reopening night, by Dame Edith Evans. Then I've put a layer underneath it which is cut and painted, and also includes printed words which come from 'The Midnight Hour'.

 It was tremendously fiddly doing this - I used these nice black entomological pins to fix the top layer; however they were too long for the box frame so I had to use wire cutters to nip off a centimetre or so; then I wanted to make sure they wouldn't slip so used hot glue to fix them into foamboard which was very tricky... v. difficult to get the glue to go where you want it !  Just hope it survives being transported to Richmond. Now I have the Epilogue and Gratitude to work on and then its on to the final piece which I'm attempting...to hang in a window. It'll be nearly a three metre drop of hand cut paper. I've never tried anything so large so don't know how long it will take, or how difficult its going to be...nor how on earth I'm going to get it safely to the theatre. I guess I'll find out ! 

Friday 4 May 2012

Words that disappear




I wanted to bring a bit of colour in - so I'm using a mix of painting some of the leaves with gouache and then spraying with acrylic ink. Trying to get a sense of the text turning into something organic...thinking about the way the theatre brings words to life; that wonderful experience when the written word becomes real...it happens internally when you are reading; when you find that place where the real world outside disappears and the page, the paper, the physical presence of a book also disappears and there's nothing between you and the words. A performance in the theatre makes that happen - you are caught up and for a few hours immersed in words...

Thursday 3 May 2012

Layers and Scenery

I was so struck by this painted woodland scenery when I saw it in the Museum, particularly by the fact that all the trees depicted are identifiable. I thought that was amazing, considering that, as scenery flats, they wouldn't be seen that closely.  Scenery seems to have been a huge attraction in itself, at least from the descriptions in the playbills that often highlight it as a particular draw. 
Having focussed on text from the first ever performances on the opening night, I wanted to jump forward a couple of hundred years - to the re-opening night in 1963 when the restored revived theatre flung its doors open to the world again. Its incredible to think that for 175 years the theatre was silent, and, for much of this time, it wasn't recognisable as a theatre.  On that reopening, three poems were specially written by Ivor Brown - a Prologue, an Epilogue and a Gratitude. So there's my text for three pieces, which will incorporate some of those words.  Visually I've been looking to the posters as a reference point, but also wanting to incorporate links to the scenery, so I'm bringing in some woodland. Each piece will become a different tree. So I'm doing lots of sampling - and next, some painting...


Wednesday 2 May 2012

Three finished - more to come !


I've now finished handcutting three pieces. These incorporate words from the very first plays performed on stage at the Theatre - back in 1788.  Little snippets from 'Inkle & Yarico', a rather strange operetta about slavery and from 'The Midnight Hour', a comedy translated from the French by Mrs Inchbald. They mix in all sorts of different typography, taking their cue from the theatre posters I loved in the museum and archives, as well as from my own sense of the layers of history in the Theatre, a fraying around the edges of memory, the moths that create holes in the past; drawing inspiration from the fabric of the building, from the places where the past is still visible...the patches of original paintwork, traces and leavings.